n the year since George Floyd died under the knee of a Minneapolis police officer, the explosive waves of national protest that followed have taken on almost a settled meaning: They were calls for police reform, and for America to take a hard look at the racial injustice threaded through its civic life.
But in its breadth and impact, the reaction to Floyd’s killing also blew through any conventional expectations for what a “protest” might touch. The reckoning it prompted about race in America extended to workplaces, classrooms, legislatures; it shook the worlds of art, literature and media. Americans began to talk about their own history differently. They physically pulled down monuments. The waves crashed against the fence of the White House, and rippled overseas.
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